101- Photographing each other by "Anita Khemka"
lensing at Kutub Minar -Ashima with Nilay |
Photographers 'take photographers', 'make photographers',
'construct photographers, 'create' photographs etc. I am trying to understand
the boundary between 'making' and 'taking' photographs. Taking photographs
doesn't always involve seeking permission from the subject or their
participation. Making photographs on the other hand, requires either some or
total collaboration between the subject and the photographer.
Documentary photography involves both approaches - one,
where the subject is both aware and participates in the image making. The
second approach involves photographing the subject in an unobtrusive
manner without their formal/written or informal consent. The consent of the
'other' in photography is a complicated one and this needs careful thought and
understanding. This session helped in representational aspect in theory as well
as in practical usage.
I grabbed the importance from a photographer's point of view
that what it means to be photographed. This assignment was about negotiating
one's level of comfort and discomfort when the camera is pointed at self.
With my partner, Nilay, as a subject we mutually decided to
shot at Kutub Minar, Mehrauli. I initially captured 57 images, and after my
first edit, I came up with some 15 decent images.
What was in my mind during executing this assignment?
1) To click the moment, not to create the moment.
2) To try not to make the subject conscious of the presence
of camera
3) Not to capture to close ups, but the environment where
subject is into.
4) To capture simple gestures without caring much about
lights, sharpness and rest technical details.
5) To document the regular existence of the subject and its
mergence with the surroundings within a balanced image.
How long we took to photograph each other?
40-45 min
How was it to be in front of camera?
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